In film and television, production design is the difference between a convincing 1980s newsroom and a set that feels like a thrift store. It coordinates physical builds, locations, props, and…
Walk onto a film stage and you might see a wall with no corners: the floor curves into the wall and the wall curves into the ceiling, creating an endless…
Imagine you have 90 seconds to move a four-walled living room, two dozen props, and three actors in a blackout and the next scene’s music cue is fixed. That pressure…
Good stage lighting is less about expensive gear and more about decisions: two 45-degree front lights that reveal faces, a backlight that separates bodies from scenery, a color strategy that…
Curious about salary expectations for an entry-level stage technician in NYC? Here are the hard numbers people actually quote: small theaters advertise $18–$25 per hour, corporate AV entry calls land…